The Nee Ningy Band often played at bars and developed their own unique way of getting and holding an audience’s attention. It was a time when the local acoustic scene was dominated by such acts as the Red Clay Ramblers and Mike Cross. Joseph’s Performance Center, also in Durham. They played venues like the famed Cat’s Cradle in Chapel Hill (when it was still in the back alley) and the Apple Chill street festival at Brother Yusef’s cool and jazzy Salaam Center in Durham and at St. Since then, individual members have played in various groups with names like 100th Monkey, the Whompers, Big Blow and the Bushwackers, Twang, and others.īut back when they were still the Nee Ningy Band, I saw them perform about a dozen times in the Research Triangle area of North Carolina. For instance, on “Wild Hog in the Woods,” the last cut of the Field Recorders’ Collective disc of the Nee Ningy Band, three of the core members perform with an extended group and go by the name of the Smiling Dog Band. ![]() That “Nee Ningy sound” could be heard on college campuses, at street fairs, and at music festivals from New England to North Carolina between 19, though the band existed under other aliases and with variable personnel before, during, and after that time. While the musical influences on the Nee Ningy Band are easy to distinguish-blues, Cajun, Celtic, and so on-they just didn’t sound like anyone else. Most old-time or blues bands, while unique in their own way, sound at least a little like every other old-time or blues band. ![]() ![]() If a band is defined more by its sound than by its songs, then the Nee Ningy Band was in a class by itself.
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